{"id":6776,"date":"2019-01-19T20:18:11","date_gmt":"2019-01-19T18:18:11","guid":{"rendered":"https:\/\/ajakirimaja.ee\/suvisugis-2018-arhitektuuri-olemus-arhitektuurikogemus\/"},"modified":"2024-04-01T10:14:27","modified_gmt":"2024-04-01T07:14:27","slug":"summer-autumn-2018-essence-and-experience-of-architecture","status":"publish","type":"post","link":"https:\/\/ajakirimaja.ee\/en\/summer-autumn-2018-essence-and-experience-of-architecture\/","title":{"rendered":"Summer\/autumn 2018 (94): Essence and Experience of Architecture"},"content":{"rendered":"\n
<\/div>\n\n\n\n

EXPERIENCE OF ARCHITECTURE
Humbly Majestic. Arvo P\u00e4rt Centre<\/span><\/strong><\/a> \u3009 Triin Ojari
The Super Transformer. Elering<\/strong><\/span><\/a> \u3009 Karli Luik
A Monumental Enigma. The Narva College of Tartu University<\/strong><\/a><\/span> \u3009 Carl-Dag Lige
Continuous Strangeness<\/strong><\/span><\/a> \u3009 Merilin Kaup, Mariann Tihane, Liina Soosaar
Vana-Vastseliina Pilgrim’s House<\/a><\/span><\/strong> \u3009 Karen Jagodin
Architecture That Invites You to Move<\/strong><\/span><\/a> \u3009 Terje Ong, Risto Kozer
Wasteland<\/strong><\/span><\/a> \u3009 Paco Ulman
Weak Monument – What For? <\/a><\/span><\/strong>\u3009 Kaja Pae
A Catalogue of Good Taste<\/strong><\/span><\/a> \u3009 Kaja Pae
Karlova Obscura<\/strong><\/span><\/a> \u3009 Johan Huimerind<\/p>\n\n\n\n

PERSONAS
Tomomi Hayashi and Hanno Grossshmidt. Thinking in Materials <\/span><\/strong><\/a> \u3009 Kalle Komissarov<\/p>\n\n\n\n

ESSENCE OF ARCHITECTURE
Four Spaces<\/strong><\/span><\/a> \u3009 Anu Vahtra
Of the Obscure Component<\/a><\/span><\/strong> \u3009 Indrek R\u00fcnkla
Pleasure of Beauty <\/a><\/span><\/strong>\u3009 Yael Reisner, Siim Tuksam
But Why<\/strong><\/span><\/a> \u3009 Siim Tuksam
Of the Measurable and Unmeasurable in Architecture<\/span><\/a><\/strong> \u3009 Urmo Mets
These Walls, They Talk<\/span> <\/a><\/strong>\u3009 Marianne J\u00f5gi
Shelters and Forest Cabins – from Polemical Approach to Media Machine<\/strong><\/span><\/a> \u3009 Alvin J\u00e4rving
Houses as Zones<\/span><\/strong><\/a> \u3009 Sven Vabar<\/p>\n\n\n\n

<\/div>\n\n\n\n

ESSENCE AND EXPERIENCE OF ARCHITECTURE <\/strong><\/p>\n\n\n\n

A number of decisions are made during the creation of architecture that the architect does not verbalize or rationalize, and usually doesn\u2019t discuss later either. Today, we tend to speak about architecture either \u201cabove its physical scale\u201d \u2013 discussing its functionality, social impact, role in urban space or similar factors, or \u201cbelow its scale\u201d \u2013 architecture is seen as something that consists of materials, surfaces, economical construction units. Of course, both of these scales are important and reflect the reach of architecture, but justifying the usefulness of architecture via these aspects, one might start to think that non-verbal decisions are random or not so significant. However, every architect knows that in cases of powerful outcome, they are the backbone of architecture, without which their creations won\u2019t stand on their own two feet. The desire to speak about objects of architecture at the level of the object itself \u2013 its influence, aesthetics or beauty \u2013 is rarer that we might think.<\/p>\n\n\n\n

The first half of the magazine takes a look at the experience offered by specific architectural objects. Carl-Dag Lige writes about the phenomenon of the building of Narva College, completed 6 years ago, and its impact on Narva and its people \u2013 there could be more retroactive architecture criticism like this in Estonia. What does the recently completed Arvo P\u00e4rt Centre offer us and does it meet the high expectations? Triin Ojari gives her opinion on this.<\/p>\n\n\n\n

The second half of the magazine probes the depths of the work of an architect and touches the essence of architecture. A couple of thousand years ago, Vitruvius formulated the issues of creating architecture as follows: \u201cWherefore the mere practical architect is not able to assign sufficient reasons for the forms he adopts; and the theoretic architect also fails, grasping the shadow instead of the substance. He who is theoretic as well as practical, is therefore doubly armed; able not only to prove the propriety of his design, but equally so to carry it into execution. \/…\/ Like all areas, architecture also has two sides \u2013 the idea and its expression. The idea is spoken of and expressed by means characteristic of scholarship. Anyone who wants to call themselves an architect must know both sides. \/…\/ He should be a good writer, a skillful draftsman, versed in geometry and optics, expert at figures, acquainted with history, informed on the principles of natural and moral philosophy, somewhat of a musician, not ignorant of the sciences both of law and physic, nor of the motions, laws, and relations to each other, of the heavenly bodies.\u201d<\/p>\n\n\n\n

These paragraphs remind us how difficult it is to combine abstract thinking and practical outputs, how easy it is to get stuck in the one that feels more natural and how essential this art of combination is for the birth of great architecture. The word that Vitruvius uses allows us to understand the word translated as \u201cidea\u201d not only as rationality, but as anything that manifests itself.<\/p>\n\n\n\n

Like multilingual people may switch languages according to the topic, architects switch from thinking in the visual language to thinking in the verbal one. Architecture is what architects do, said British architect Cedric Price. This definition, which seems trivial at first, no longer makes it possible to question whether the amazingly graphic illustrations of Daniel Libeskind or the cosmic paintings of Zaha Hadid are architecture. They are also a step in the development of their personal language. Architects themselves are not eager to translate their creative language into words, many of them preferring to consider it untranslatable and hiding behind a veil of secrecy. A young architect at the start of his or her professional life after graduating from the academy, who has only learnt to defend their project in front of professors who silently understand their graphic specialist language, may find him- or herself facing the question of how to discuss this with people who are not architects. How do you speak about the diversity of architecture, the decision-making process, including its obscure parts? The first article of the second half by Indrek R\u00fcnkla also tackles this question. Yael Reisner,the main curator of Tallinn Architecture Biennale 2019, shows how to bring talking about beauty back to architecture and why this has been overshadowed by rationality.<\/p>\n\n\n\n

The diversity of the architectural languages and switching between the languages used to create architecture are some of the most fascinating parts of architecture and nevertheless, as also writes Yael Reisner, an architect instantly recognises the moment when everything falls into place, in sense of all possible translations.<\/p>\n\n\n\n

Editor-in-chief Kaja Pae<\/p>\n\n\n\n

October, 2018<\/p>\n","protected":false},"excerpt":{"rendered":"

EXPERIENCE OF ARCHITECTUREHumbly Majestic. Arvo P\u00e4rt Centre \u3009 Triin OjariThe Super Transformer. Elering \u3009 Karli LuikA Monumental Enigma. The Narva College of Tartu University \u3009 Carl-Dag LigeContinuous Strangeness \u3009 Merilin Kaup, Mariann Tihane, Liina SoosaarVana-Vastseliina Pilgrim’s House \u3009 Karen JagodinArchitecture That Invites You to Move \u3009 Terje Ong, Risto KozerWasteland \u3009 Paco UlmanWeak Monument –<\/p>\n","protected":false},"author":2,"featured_media":5601,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","footnotes":""},"categories":[127,113],"tags":[254],"class_list":["post-6776","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","category-arhiiv-en","tag-summer-autumn-2018-essence-and-experience-of-architecture","infinite-scroll-item"],"yoast_head":"\nSummer\/autumn 2018 (94): Essence and Experience of Architecture - MAJA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ajakirimaja.ee\/en\/summer-autumn-2018-essence-and-experience-of-architecture\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Summer\/autumn 2018 (94): Essence and Experience of Architecture - MAJA\" \/>\n<meta property=\"og:description\" content=\"EXPERIENCE OF ARCHITECTUREHumbly Majestic. 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