{"id":6858,"date":"2019-10-30T12:46:07","date_gmt":"2019-10-30T10:46:07","guid":{"rendered":"https:\/\/ajakirimaja.ee\/sugis-2019-autor\/"},"modified":"2024-02-16T21:51:56","modified_gmt":"2024-02-16T19:51:56","slug":"autumn-2019-author","status":"publish","type":"post","link":"https:\/\/ajakirimaja.ee\/en\/autumn-2019-author\/","title":{"rendered":"Autumn 2019 (98): Author"},"content":{"rendered":"\n
<\/div>\n\n\n\n

UNKNOWN
Spatial Poetry Spatial Illusion Spatial Design Poetry Design<\/a><\/span><\/strong> \u3009 Mariann Drell
Who Made This?<\/span><\/strong><\/a> \u3009 Roland Reemaa
An Oeuvre on a Potato Field<\/a><\/span><\/strong> \u3009 Diana Drobot, P\u00e4\u00e4r Keedus<\/p>\n\n\n\n

PERSONAS
Acknowledging Unnoticed Architecture<\/a><\/span><\/strong> \u3009 Merle Karro-Kalberg<\/p>\n\n\n\n

PROJECTS
Imavere Rapeseed Oil Factory \u2014 Things that Matter<\/a> <\/span><\/strong>\u3009 Kristel Niisuke, Margus Tamm
Fotografiska in Tallinn \u2014 Matured End of Season Berries with Champagne Foam<\/span><\/strong><\/a> \u3009 Maarin M\u00fcrk
Rannam\u00f5isa Ritual Building \u2014From a Funeral Home to a Ritual Building<\/a><\/span><\/strong> \u3009 Kaia Tungal <\/p>\n\n\n\n

TOGETHER
Call and Response<\/a><\/span><\/strong> \u3009 Hans van der Heijden
East: Negotiating Projects<\/span><\/strong><\/a> \u3009 Laura Linsi
Public Dark Rooms in Urban Space: Fragments from the Tallinn History of Sexuality<\/span><\/strong><\/a> \u3009 Rebeka P\u00f5ldsam<\/p>\n\n\n\n

<\/div>\n\n\n\n

Author<\/h2>\n\n\n\n

The autumn issue of Maja magazine explores the role of the author in architecture. One way of approaching the theme is to look at projects that seemingly lack authorship, remain unknown or anonymous. The aim of this issue is to distance oneself from the pressures of the signature and the brand. Instead, we seek for quality in spaces, which in some aspect or another remain unknown. This quality may implicitly lie in collective authorship, in search for alternative ways of practicing, in urban anonymity, in collaboration integral to planning public spaces, in the influence of what\u2019s already in existence, in a layman\u2019s shed, in forgotten spaces, in technical machines or in a place and moment that is recognisable solely to a certain group of people or to a single explorer. The knowns and unknowns are relative – what is unknown to some is known to others.\u00a0<\/p>\n\n\n\n

It is easy to subject architecture to the logic of trade and branding, where a unique masterpiece and its author become used increasingly more as devices to shape the built environment. On this background, perhaps the most challenging task for architects today is to work with ordinary spaces where design does not dominate over the space itself, where existing conditions inform proposals, where communities take responsibility over the use, the creation and the maintenance of space. These are qualities and opportunities that allow architecture to take shape along the way. The results may well be unexpected to clients, users as well as authors. <\/p>\n\n\n\n

Editor-in-chief Kaja Pae<\/p>\n\n\n\n

Guest editors Laura Linsi, Roland Reemaa<\/p>\n\n\n\n

October, 2019<\/p>\n\n\n\n

\"\"
Photo Sohvi Viik<\/em><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

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