{"id":7607,"date":"2019-09-03T19:50:00","date_gmt":"2019-09-03T16:50:00","guid":{"rendered":"https:\/\/ajakirimaja.ee\/sven-vabar-maja-kui-tsoon\/"},"modified":"2024-03-31T12:34:42","modified_gmt":"2024-03-31T09:34:42","slug":"sven-vabar-houses-as-zones","status":"publish","type":"post","link":"https:\/\/ajakirimaja.ee\/en\/sven-vabar-houses-as-zones\/","title":{"rendered":"Houses as Zones"},"content":{"rendered":"\n
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CONCEIVABLE HOUSES. A LIST OF ARCHITECTURAL IDEAS<\/span><\/strong>
Author<\/strong>: Urmo Mets
Illustrations<\/strong>: Lauri Eltermaa
Book Design<\/strong>: Tuuli Aule
Publisher<\/strong>: ;paranoia, 2017<\/p>\n\n\n\n

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Urmo Mets\u2019 <\/strong><\/em>Conceivable Houses <\/strong>can be read in either a conceptual or realist way. A realist reading is the opposite of a conceptual reading in the sense that the goal is not to take in a particular idea, but, on the contrary, to find oneself transported through the text into an imaginary environment where no normal or habitual processes can be expected to work.<\/strong><\/em><\/p>\n\n\n\n

Urmo Mets in his Conceivable Houses<\/em> proposes nearly two hundred terse ideas of hypothetical houses, mostly expressed in one or two sentences. As the author says in the foreword, these ideas are born \u2018from the need to ask how the effect of architecture could be expanded […] and what fantastic results could be achieved by setting unconventional goals to architectural practice\u2019 (page 4). The book also contains the author\u2019s correspondence with the architecture theoretician Leon van Schaik and concludes with a \u2018Manifesto Against the Super-development of Space\u2019 which coins new terms with the enthusiasm akin to Deleuze and Guattari.<\/p>\n\n\n\n

As such, Conceivable Houses <\/em>can be viewed as a practical creativity booster for practicing architects suffering from the shortage of ideas. Similarly to Brian Eno\u2019s \u2018Oblique Strategies\u2019 card set or Valdur Mikita\u2019s \u00c4parduse r\u00f5\u00f5m<\/em> [Joy of Mishap<\/em>], when applied to a particular field of creative endeavour\u2014in this case, the design of buildings. However, limiting oneself to this utilitarian viewpoint would unnecessarily stifle the potential of Conceivable Houses. <\/em>Approaching this book as a sovereign work of literature, which it certainly is, I noticed two possible readings.<\/p>\n\n\n

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Conceivable Houses. A List of Architectural Ideas. Photo Marje Eelmaa<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

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The first and the obvious reading of the Conceivable Houses <\/em>presents it as a conceptual work: a catalogue of pure ideas, indifferent to their naturalist imaginability or material feasibility. Of literary works of the same ilk, the first two to come to my mind are Lev Rubinstein\u2019s Catalogue of Comedic Novelties <\/em>and Italo Calvino\u2019s Invisible Cities. <\/em>Without a mention of these two, of course, the reviewer of Conceivable Houses <\/em>cannot entertain any hope of escaping unscathed.<\/p>\n\n\n\n

The second reading could be described as realist, prosaic, and this is the one which fascinates me more. Several ideas in Conceivable Houses <\/em>are certainly compelling enough to raise the question in the reader: why has the author stopped and not dared to develop the concept beyond the few sentences, to truly flesh out this house and make it more \u2018real\u2019? Certainly at least in several cases the author has clearly felt inspired enough to let the description grow longer than normal and must have exercised restraint for the idea to remain in line with the book\u2019s concept and within the limits of one page. This reading is the opposite of the conceptual reading in the sense that the goal is not to take in a particular idea, but, on the contrary, to find oneself transported through the text into an imaginary environment where no normal or habitual processes can be expected to work. The quintessence of such possible house concepts appears to have been captured on page 188: \u2018a house whose architecture allows observing paranormal phenomena more easily\u2019. Yet, of course, the \u2018Manifesto Against Super-development of Space\u2019, which closes the book, also celebrates proliferation, self-organisation and coincidental metamorphoses. <\/p>\n\n\n\n

Several descriptions of such environments can be found in fantasy and speculative fiction\u2014in the East European cultural space, perhaps the most prominent example could be the Zone from Strugatsky Brothers\u2019 Roadside Picnic<\/em>, but also the forest in their Snail on the Slope<\/em>. The Zone has turned out to be a most productive and inspirational image whose shadow has been cast over all Eastern European Ruildings and Wrectures during the last couple of decades (terms coined by Urmo Mets in the \u2018Manifest\u2019). The Area X in Jeff Vander Meer\u2019s Southern Reach Trilogy appears as a modern ecocritical variation of the Zone. <\/p>\n\n\n\n

A few literary works deal with houses as \u2018zones\u2019 of uncertainty. One of the best known examples is Mark Z. Danielewski\u2019s hefty experimental novel House of Leaves<\/em>, but several J. G. Ballard\u2019s earlier short stories also describe psychoanalytical houses which resonate with the pathologies and nightmares of their residents. Truthfully, quite a few Urmo Mets\u2019 conceivable houses sound like a miniature summaries of Ballard\u2019s short stories. The Estonian writer Mehis Heinsaar has also sketched maze-like attics and basements and the image of an ahjualune<\/em>\u2019s*<\/sup><\/a> apartment beneath the kitchen floor (page 105) appears like it could have been borrowed from Heinsaar\u2019s lost notebook that he left in a taxi in Tallinn a few years ago.<\/p>\n\n\n\n

*<\/a>*<\/sup> An ahjualune <\/em>(translated as \u2018hobgoblin\u2019 in Urmo Mets\u2019 book) is a character from Estonian folklore. He is a tiny little man with a beard who dwells under the kitchen floor and is capable of eating enormous amounts of food in an instant.<\/p>\n\n\n\n

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Book launch at Tallinna Architecture Biennale, 2017<\/em><\/figcaption><\/figure>\n\n\n\n

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\u2018We must trust our thoughts while we sleep. We must trust our hunches. We must begin to examine all of those things that we think of as irrational simply because we do not understand them. In other words, we must distrust the rational, the logical, the sane, in an attempt to reach for something higher, for something more worthy.\u2019<\/p>\n\n\n\n

(Jeff VanderMeer, Acceptance<\/em>. The third book in the Southern Reach Trilogy. New York: Farrar, Straus & Giroux, 2014, pp 212-213.)<\/p>\n<\/blockquote>\n\n\n\n

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\u2018When we find something in the world to be \u201cagainst reason\u201d, then, quite confidently, we can claim this to be the \u201ctruly real\u201d. A reflection of our mind it certainly is not! Thus, absurdum ergo est<\/em>! Anyway, it is the precisely the valuable part of credo, quia absurdum.<\/em>\u2019 (Uku Masing, \u2018Kosmose tunnetamisest ja keelest\u2019 [\u2018Of Perception and Language of Cosmos\u2019] in Pessimismi p\u00f5hjendus <\/em>[The Case for Pessimism<\/em>]. Tartu: Ilmamaa, 1995, p.144.)<\/p>\n<\/blockquote>\n\n\n\n

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\u2018\u201cGreen odorous abundance. Abundance of colors, abundance of smells. Abundance of life. And all of it alien. Somehow familiar, a resemblance somewhere, but profoundly alien. The hardest part was to accept it as alien and familiar at one and the same time, derived from our world, flesh of our flesh\u2014but broken away, not wishing to know us. […]\u201d<\/p>\n<\/blockquote>\n\n\n\n

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\u201cWhen the order comes out,\u201d proclaimed Hausbotcher, \u201cwe shall move some real stuff in there, not your lousy bulldozers and landrovers\u2014in two months will turn it all into…er…a concrete platform, dry and level.\u201d<\/p>\n<\/blockquote>\n\n\n\n

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\u201cYou will turn it,\u201d said Acey. \u201cIf you don\u2019t cop one in the jaw, you\u2019ll turn your own father into a concrete platform. For straightforwardness sake.\u201d\u2019 (Arkady and Boris Strugatsky, The Snail on the Slope<\/em>. Translated by Alan Meyers. New York: Bantam Books, 1980.) <\/p>\n<\/blockquote>\n\n\n\n

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SVEN VABAR earned his Master of Arts in Semiotics from the University of Tartu. His published writings include music and literary criticism and prose. He was the editor of the prose collection Mitte-Tartu [Non-Tartu] (2012) and he currently works at the Department of Literature and Theatre Studies of the University of Tartu.<\/p>\n\n\n\n

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HEADER photo by Marje Eelma<\/em>.<\/p>\n\n\n\n

PUBLISHED in Maja’s 2018 summer\/autumn edition (No 94)<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Urmo Mets\u2019 Conceivable Houses can be read in either a conceptual or realist way. 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