{"id":9067,"date":"2020-10-14T13:05:43","date_gmt":"2020-10-14T10:05:43","guid":{"rendered":"https:\/\/ajakirimaja.ee\/suvi-sugis-2020-sisearhitektuuri-eri\/"},"modified":"2024-03-15T12:10:45","modified_gmt":"2024-03-15T10:10:45","slug":"summer-fall-2020-special-issue-interior-design","status":"publish","type":"post","link":"https:\/\/ajakirimaja.ee\/en\/summer-fall-2020-special-issue-interior-design\/","title":{"rendered":"Summer-autumn 2020 (101-102): Interior Design"},"content":{"rendered":"\n
<\/div>\n\n\n\n

SPATIAL EXPERIENCE
Etude<\/strong><\/a><\/span> \u3009 Madis K\u00f5iv, Paco Ulman
Environmental Psychology in Interior Architecture<\/strong> <\/a><\/span>\u3009 Silver Sternfeldt, Aksel Part, Marju Randmere-Nellis, Julia Trunova
A Factory of the History of Modern Times: The Revival Narva Castle<\/a> <\/span><\/strong>\u3009 Triin Ojari
How to Preset Fat Margaret<\/strong> <\/a><\/span>\u3009Raul Kalvo, Helen Oja, Artur Sta\u0161kevit\u0161
The Hall – A Way Into Silence<\/strong><\/a><\/span> \u3009 Marianne J\u00f5gi
Comment<\/strong><\/a><\/span> \u3009 Linda Madalik
Captivated by Sensational Space<\/strong><\/a><\/span> \u3009 Kadri Liis R\u00e4\u00e4k
Bathology<\/span><\/strong><\/a> \u3009 Kaisa Ling
Mutual Feelings<\/strong><\/a><\/span> \u3009 Johanna J\u00f5ekalda
Photo Essay: Aulo Padar 80<\/strong><\/a><\/span> \u3009 P\u00e4\u00e4r-Joonap Keedus, Sille Pihlak<\/p>\n

DIALOGUES ON INTERIOR DESIGN
Architect and Interior Architect Tandems<\/strong><\/a><\/span> \u3009Karen Jagodin
Global Interior Architecture From a Local Point of View<\/strong><\/a><\/span> \u3009 Kaja Pae, Urmo Vaikla
The Association for Spatial Culture<\/strong><\/a><\/span> \u3009 Eero J\u00fcrgenson, Kristiina Raid
The State as Client<\/strong><\/a><\/span> \u3009 Pille Lausm\u00e4e-L\u00f5oke, Kalle Komissarov, Kristiina Vasar<\/p>\n

EDUCATION
Vision + Education I<\/strong><\/a><\/span> \u3009 Kaja Pae, Hannes Praks, T\u00fc\u00fcne-Kristin Vaikla, Ville Lausm\u00e4e
Journey Into the Unknown<\/strong><\/a><\/span> \u3009 Eeros Lees, P\u00e4\u00e4r-Joonap Keedus
Mobile Craftsmen<\/strong><\/a><\/span> \u3009 Gregor Taul
Vision + Education II<\/strong><\/a><\/span> \u3009Kaja Pae, Suzie Attiwill, Graeme Brooker, Pavle Stemenovi\u0107<\/p>\n\n\n\n

<\/div>\n\n\n\n

Living with Interior Space<\/strong><\/h2>\n\n\n\n

The world of interior architecture is going through exciting times\u2014the speciality is seeking its role, and not only in terms of how to service the inhabitant in the best possible way, but for ways that allow defining a reciprocal relationship between the inhabitant and her environment. The recent pandemic placed many individuals in a position where they had to experience domestic space over an extended and intense time period. Is interior architecture an entity that we place inside architecture? Or is the discipline that we have agreed to call interior architecture in Estonia<\/strong> concerned with space that lies in our closest proximity and is scaled to human perception? For a long time now, the concern of the interior architect has been more than the mere interior room; our relationship to space is addressed in the urban environment as well. This shift reflects in the names of the study programmes and the speciality itself, which in some countries is referred to as interior design instead of interior architecture, expanding the search territory for self-determination beyond the boundaries of architecture.<\/p>\n

The writings by medievalist historian Aron Gurevitsch<\/strong> and architecture historian Robin Evans<\/strong> on spatial perception, spatial projection and preferred floor plan typology reveal how close the tie between the biological human aspects\u2014our body and cognitive functions\u2014and cultural worldview really is. The latter possesses undeniable power over the biology. Spatial design assumes that the universal needs connected to the body and psychology be somewhat more durable. The vast innovation in social and technology-driven pursuits undoubtedly impacts on intimate space and scale (even to the extent that literary science points towards a congruence between realism and science fiction), and these changes might introduce fascinating opportunities for a spatial art that is concerned with a most intimate type of space.<\/p>\n

This issue looks at both the less mutable side of spatial design that is connected to bodily and cognitive processing, as well as the swiftly changing pole related to social development and technology. We address evidence-based psychological needs in the context of interior architecture and study an environment called Rhizopia<\/strong> which activates various sensory organs and broadens the mind. Modern expectations for contemporary museum space are exemplified in a review of Narva Castle<\/strong>. Using VR equipment and photogrammetry, we present Fat Margaret<\/strong> tower and look into how the technological means aided in the creation process of the interior architecture of the maritime museum she encases. A brain-computer interface enables measuring environmentally evoked changes in human mental states. We examine how enabling data-driven dialogue with space provides an additional scientific dimension to the design of spatial experiences, and we envision the new crossroads these methods might bring forth in and for spatial design.<\/p>\n

The large concert hall of the Estonian Academy of Music and Theatre<\/strong> was recently completed. Its genesis reflects the encompassing nature of extensive spatial art where the corporeal, cultural, and technical meet to blend into an enabling environment that supports the development and birth of skills and experience impossible to attain outside those conditions. Acoustician Linda Madalik<\/strong> has described this phenomenon as the ability of the hall to intermediate a musical composition in the most profound way.<\/p>\n

Spatial art, like the other arts, cannot progress without constantly questioning and challenging itself to seek and define its own substance\u2014it is the only way the potentiality of art can survive. Let us all broaden our horizons and view the world from the perspective of a bathtub. Why should this matter? Our daily environment shapes our habits that end up shaping us. Our cohabitation with things is a serious matter.<\/p>\n

This issue of Maja is dedicated to the 30th anniversary of the Estonian Association of Interior Architects<\/strong><\/a><\/span>.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Editor-in-chief Kaja Pae<\/p>\n

In collaboration with Helen Oja, Pille Lausm\u00e4e-L\u00f5oke and Kristiina Raid from Estonian Association of Interior Architects<\/p>\n

October, 2020<\/p>\n\n\n","protected":false},"excerpt":{"rendered":"

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