Last year the Estonian Association of Landscape Architects annual award and the Estonian Cultural Endowment landscape architecture award in the category of architecture were given to the new city centre of Elva. ‘Between the Currant Bushes’ (by Ülle Maiste, Diana Taalfeld, Anne Saarniit, Roomet Helbre, and Taavi Kuningas from the architectural offices AT HOME, NU, ubin pluss, and TEMPT) was recognised as the winner of the architecture competition for the best solution for Elva main street and urban space in the framework of the ‘Good Public Space’ project.
We are discussing landscape architecture with Helēna Gūtmane, Mark Geldof and Ilze Rukšāne online although I initially planned to go there and visit their works together with the authors. In addition to Helēna, Ilze and Mark, also the senior landscape architects Indra Ozoliņa, Mētra Augškāpa and landscape architect Sendija Adītāja joined our discussion around the table (and behind the screen).
People-first is a model for cities in the global age where local governance takes an active role to guarantee equal opportunities and people gain the agency to codesign the use of cities and infrastructures. It is the result of a collaborative process of Demos Helsinki and four of the largest cities in Finland: Espoo, Helsinki, Tampere, and Vantaa.
Rather than exhibiting objects and asking questions, the contemporary museum has become a place for experiences requiring submission to the logic of storytelling. Triin Ojari considers how the reconstructed Narva Castle relates to history and providing experiences.
Andres Sevtsuk is a Professor of Urban Science and Planning at the Department of Urban Studies and Planning at MIT, where he also leads the City Form Lab. Maroš Krivý is a professor of Urban Studies at the Estonian Academy of Arts.They shared their insights on current state and challenges of Estonian architecture.
Several public buildings that form functional miniature ecologies, impacting our human qualities and sense of proportion through their scale, have been erected in Purtse and Palamuse.
What would an architectural journal be without photos to explicate architectural space? Can a photo be more revealing and polyvalent than the architecture it conveys?
There is no way to describe the current state of Latvian architecture without at least mentioning the so-called “large cultural buildings”. During the last decade, these have been the words constantly repeated by ministers, city mayors, directors of cultural institutions, and the media.
Tarja Nurmi gives an overview of the current state of Finnish architecture and introduces the most outstanding buildings of recent years. Finland, excelled in public buildings, is now facing the challenge of housing.
The city of St Petersburg, the largest metropolis in Northern Europe, is growing rapidly. But the architectural quality of the latest developments is rarely comparable with historical heritage. Can the cultural capital of Russia ever prove its nickname in the field of the art of construction?