SPATIAL DESIGN

In the last few years, several public buildings with unexpected combinations of functions have been built in Estonia due to practical reasons, and soon, a series of state houses combining a  kaleidoscopic array of institutions in smaller towns  will follow. How do these public buildings reflect our present times, and how should they?
A sense of mission is what drives the centenary Estonian Association of Architects to act as a replacement agent for the institution of the state architect that is currently missing in the Estonian architectural arena. Andro Mänd, Chairman of the Association, writes about what it takes to organise cross-disciplinary collaboration, an integral part of spatial design, based on the example of site selection for Paide State High School.
Indrek Allmann discusses landward- and seaward-facing small harbours.
In the search for architectural strategies in times of a worsening climate crisis and diminishing resources, vernacular architecture has moved into spotlight. This is mostly due to its ability to passively respond to the local climate and make use of the ‘as found’—not only in terms of natural resources and building materials, but also in terms of available craftsmanship and local communities’ skillsets. Valuable knowledge of vernacular architecture, a pragmatic yet poetic, and in fact a scalable concept, is mostly passed on through buildings themselves as epistemic artefacts.
After the slow-burning and partly contestable success stories of Rotermann Quarter and Telliskivi Creative City, the eyes of Tallinners interested in urban design or just longing for a better urban space turned to Noblessner—the privately developed waterfront set to become one of the first chapters on the road to open the coastal areas of Tallinn to its citizens. Though far from complete, the lively quarter already offers a chance for a status report and an insight into the entrenchment of certain spatio-social tendencies in the Estonian real estate landscape.
In the past years we have seen the state’s increased interest in and expectations for interior design solutions as a conceptual whole. In order to discuss what we have achieved and where to proceed, the chairman of the management board of the Estonian Association of Interior Architects Pille Lausmäe-Lõoke was joined by the State Real Estate architect and former vice-president of the Estonian Association of Architects Kalle Komissarov and the spatial design project manager Kristiina Vasar.
Little was built following the re-establishment of Estonian independence in the early 1990s, however, the debates held and practices established largely came to set the foundations for the dominant issues in the architectural field in the past decades.
The stories we have heard ever since the beginning of the century about the merchandising of museums and the transformation of all culture into an unending festival are greatly exaggerated. The new cultural buildings are good examples of state-commissioned public spaces that are quite self-aware with no desire to go along with the general trends of commercialisation.
Discussions about how to plan a good city and what kind of buildings to construct are becoming increasingly relevant as mankind has reached a fundamental milestone: the majority of the society lives in cities. At the time of climate change, the issue of a sustainable city is more pressing than ever before also in Estonia, where motorisation is fast and local centres are subjected to urban sprawl. In this context, it is worth recalling the ideological principles of two urban design theories – New Urbanism and Landscape Urbanism – in order to set goals for the kind of space we want to move towards and the pitfalls to avoid on the way.
Andres Sevtsuk is a Professor of Urban Science and Planning at the Department of Urban Studies and Planning at MIT, where he also leads the City Form Lab. Maroš Krivý is a professor of Urban Studies at the Estonian Academy of Arts.They shared their insights on current state and challenges of Estonian architecture.
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