After the slow-burning and partly contestable success stories of Rotermann Quarter and Telliskivi Creative City, the eyes of Tallinners interested in urban design or just longing for a better urban space turned to Noblessner—the privately developed waterfront set to become one of the first chapters on the road to open the coastal areas of Tallinn to its citizens. Though far from complete, the lively quarter already offers a chance for a status report and an insight into the entrenchment of certain spatio-social tendencies in the Estonian real estate landscape.
In order to compensate for the bureaucratic inflexibility and sluggishness that is burgeoning in spatial design, a new methodology has evolved that enables to operate in a more democratic, playful, experimental and cost-effective way.
Spatial design of a city is not a project with a clear beginning and end, but a continuous process, and a wickedly slow one at that.
The nominees and winners of this year’s Maja and Sirp Publication Award were selected by historian, cultural critic and assistant professor at the University of Southern California Aro Velmet, who highlighted the articles’ bold takes on broader social issues.
Discussions about how to plan a good city and what kind of buildings to construct are becoming increasingly relevant as mankind has reached a fundamental milestone: the majority of the society lives in cities. At the time of climate change, the issue of a sustainable city is more pressing than ever before also in Estonia, where motorisation is fast and local centres are subjected to urban sprawl. In this context, it is worth recalling the ideological principles of two urban design theories – New Urbanism and Landscape Urbanism – in order to set goals for the kind of space we want to move towards and the pitfalls to avoid on the way.