The sedimentary layer of Estonia deserves valorisation, conclude the material development and design studio kuidas.works. Maria Luiga and Hannes Praks write about their recent earth-based construction study trip to Paris.
On the morning of August 29th in 2017, freshmen of the Department of Interior Architecture were waiting for a train at Baltic railway station at 7.44 am to head to Pärnu. What lay ahead was a three-day trip, followed by a three-year-journey into the unknown. Yet, these students were not completely caught off guard by these successive events as they had been admitted to the Department of Interior Architecture at the Estonian Academy of Arts, run by Hannes Praks.
This issue of Maja takes the call for a moratorium on all new construction as its starting point.
Infinity is the concept of zero to get more zeros. The following 1,398 spaces with characters popped into my mind as one complete package while engaged in pleasant small talk and contemplation of my chosen status as philosopher at the primeval clay table of Restaurant 0, hidden in the terrific sand dunes left to us by the last ice age. And, after having shared a night with my wonderful newly found companions. A really big gang bang! Thank you, Restaurant 0!
A TV show called Restaurant 0 recently aired on Estonian Television, which focused on an experiment conceived by the Põhjaka chefs Ott Tomik and Märt Metsallik to open a conceptual restaurant in Viljandi within a single week. A question was raised on how it is possible to live sustainably and peacefully in a time when ecological catastrophe is imminent. Is it possible to establish a restaurant on zero budget and with zero footprint? The chosen location was an idle, rather deserted-looking 18th-century building in Viljandi. Studio kuidas.works was summoned to devise a spatial solution for the project.
Six educators and practitioners from all over the world who specialise in interior architecture joined me for a discussion about how they conceptualise the role of the interior architect in spatial design, what the challenges of the specialisation are and what kind of education would help meet those challenges.
Teist põlve arhitekt Ralf väidab, et tal ei ole eriala suhtes illusioone; seda muljetavaldavama järjekindlusega seisab ta projekteerimisprotsessis arhitektuurse tuumidee säilimise eest. Arhitektiks olemine defineerib Ralfi kogu tegevust ja maailmavaadet töötegemisest reisimiseni – võib-olla ainult muusikal õnnestub hetkiti samavõrdse tähelepanu eest võistelda. Küsis Ingrid Ruudi.
This issue of Maja is dedicated to the 30th anniversary of the Estonian Association of Interior Architects.
The new building of Narva College features self-conscious architecture embodying the vitality of culture – mystery, courage and community.
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