(URBAN)LANDSCAPE
One of the most important traits in the 21st century is considered to be creativity. What kinds of spaces set the cornerstone for a creative personality? Let us examine the interiors and exteriors of Raja Kindergarten in Pärnu.
A building may use its own words to speak its own truth, despite the utterings of the system it belongs to. As such, a building may also be quite quiet, in a pleasant way. Calm and unintrusive.
Several public buildings that form functional miniature ecologies, impacting our human qualities and sense of proportion through their scale, have been erected in Purtse and Palamuse.
Known for its openness to change, Mäetaguse borough has successfully combined its central area comprising buildings of various eras and the great outdoor space into an effective and comprehensive environment.
For three consecutive summers Paide central square has provided a collaborative platform for locals, participants of the Opinion Festival and municipality to find the best possible joint space for the community.
The monument dedicated to Lydia Koidula and Johann Voldemar Jannsen near the Arch Bridge in Tartu may be discussed primarily in two respects – in terms of sculptures and landscape architecture. The memorial square strives for the human-scale but how successful is it?
Gothenburg's Jubileumsparken is being designed with an open mind and all changes are welcomed with open arms: it is still unclear what kind of spatial disruptions will be implemented and where these manipulations will come into play. This depends on the parties involved and their reactions to the process.
The objective of the subjective preference theory founded by the Japanese acoustician Yoichi Ando is to examine the emergence of a satisfying aural experience in a space that supports learning and creative processes.
The minimalist grandeur and archetypal imagery of the memorial engage the viewer up to a point of awe.
