The trio of landscape architects in Tartu represent the new obstinate generation who believe in nature’s power of self-organisation and assure that their cooperation will persist until Estonia is entirely covered with a high-quality public thicket.
Architect Johan Tali, landscape architect Merle Karro-Kalberg, architect Siiri Vallner, project manager Priit Õunpuu and interior architect Hanna Karits discuss their experiences of using limestone in recent projects.
All new hard infrastructure should be engineered to double as social infrastructure, writes Mattias Malk.
Thinking through stone opens up a fresh perspective on construction culture (and the lack thereof), availability of local building materials and their untapped (economic) potential, and, ultimately, on building truly long-lasting buildings.
The Rotermann Quarter was the first ambitious attempt in independent Estonia to create a comprehensive and architecturally high-level urban space. 20 years have passed since the confirmation of the zoning plan that underlies the development of the area. Urbanist Mattias Malk examines what lessons could be drawn from the formation of this emblematic and groundbreaking space.
Discussions about how to plan a good city and what kind of buildings to construct are becoming increasingly relevant as mankind has reached a fundamental milestone: the majority of the society lives in cities. At the time of climate change, the issue of a sustainable city is more pressing than ever before also in Estonia, where motorisation is fast and local centres are subjected to urban sprawl. In this context, it is worth recalling the ideological principles of two urban design theories – New Urbanism and Landscape Urbanism – in order to set goals for the kind of space we want to move towards and the pitfalls to avoid on the way.
Maja's summer edition soon available!
The foundation of the Kreis family is the first foundation by a local family to support architecture that was established by Heljo Kreis in 2012. The aim of the foundation award is to acknowledge noteworthy phenomena, alternative practises and versatile creators who have remained on the margin of the mainstream Estonian architecture.
