kaire 
Rotermann Quarter stands out for the diversity of its new-builds and reconstructed former industrial buildings. There is probably no other area in Estonia awarded with as many prizes as this one. Mathilda Viigimäe and Kristi Tšernilovksi shed light on the architectural development of Rotermann Quarter.
Thinking of design as a service means bringing into focus the user and user needs. The impact of user-specificity is steadily increasing in how the processes of spatial design are approached. Ave Habakuk from the Living Street movement writes about how to think of the street as a service.
Spatial design of a city is not a project with a clear beginning and end, but a continuous process, and a wickedly slow one at that.
Johan Tali is the winner of the 2021 Young Architect Award from the Estonian Association of Architects. He earned this distinction for his wide-ranging activities as an architect, curator, lecturer and populariser of architectural topics.
The bastion belt should be a park with its use activated by a building.
‘Heliorg’ explores the possibilities for reviving the bastion belt surrounding Tallinn Old Town.
The work marks a reaction to a personal and scary experience with the highrises in central Los Angeles. When I was living and studying in LA in 2010, I imagined a dystopian degenerating city characterised by overwhelming monofunctionality pushing out the weak, increasingly higher and denser office buildings and the street space sinking into darkness.
The current work explores the role of the architect in the face of changing environmental conditions. The Arctic area is confronted with dramatic social, economic and environmental changes. The increasing pressure on the Arctic natural resources and Arctic Ocean waterways sets higher demands for the otherwise sparsely populated area. In order to ensure more efficient search and rescue competence and nature protection, a new infrastructure is needed.
The hybrid building merges the library and botanical garden into a spatial whole, a symbiosis of design and high technology. It is located in Burggarten in Vienna – the historical imperial private garden of the Habsburg family, between the Austrian National Library and Palmenhaus.
The aim of the work is to achieve harmony and universal beauty. I value milieus and particular atmospheres carrying it. Sometimes I convey it with a single line or a geometric detail that can evolve into a deeper spatial gesture.
