Kaisa Ling. Bathology

Bathology is an example of a possible artistic method which attempts to take into account the object’s perspective, the object as is. The budding bathology was inspired by the Lithuanian artist Marija Baranauskaitė and her exploration of sofanity. Namely, in 2018 she started developing the Sofa Project, a conceptual clowning performance where the target audience is not sentient, not even human but a sofa. In addition to being entertaining to human audiences as well as object-audiences (hopefully), it is also compelling for theoretical reasons, evoking among other things musings in the vein of Philosophy of Technology, Critical Posthumanism and Object-Oriented Ontology as well as exercises in non-anthropocentric thinking, and attempts to place something other than a human in the position of a subject.

Roland Reemaa: Who Made This?

Balta is a hybrid of a silk screen printshop and a bar for close friends. Its spatial use and construction logic is closely tied to its founders and changing needs: it is a place whose structure is a co-creation of the entire community. To best describe the project architecturally, it is reasonable to regard the establishment as a flow; an accumulation and recycling of materials. Such a dispersion of authorship and, above all, a material-based point of view is rather a matter of spatial aesthetics, one that provides a visible, perceptible experience of sensuosness and physicality. How is a community bound to its space?

Urmo Mets. Of the Measurable and Unmeasurable in Architecture

Architecture is a practice that operates in an eternal field of tension between the measurable and unmeasurable, where the rational and justifiable materialises in contact with the artistic decisions which are made in the architect’s umwelt and whose internal genesis may often be undefinable and elusive to description. The following is an attempt to shed some light onto that part of the architect’s creative process that is in shadow.

Ross Exo Adams. Algorithmic Law and Infrastructural Bodies

Eristuse ähmastumine kehade, looduse ja infrastruktuuri vahel paljastab „võimu ruumis”, mis ei ole rajatud reeglitele, vaid eeldusele, et kõik teadmiste vormid ning toimimisviisid on tuletatavad andmehulkades leiduvatest mustritest ja korrapärast.

Maria Hansar: Why do we need Tallinn Creative Hub, anyway?

Tänasel kujul on Kultuurikatel aga otsekui pommitabamuse saanud. Protsessi käigus on sealt minema pühitud nii ideed kui ka autorid ja valminud hoonest on kärbitud viimanegi avalikku kasutust toetav arhitektuurne struktuurielement. Kultuurikatlast on saanud keerulise logistika ja põhjendamatu ruumiprogrammiga elitaarne A klassi rendipind, mille on kinni maksnud Euroopa ja Tallinna inimesed.