The Rotermann Quarter was the first ambitious attempt in independent Estonia to create a comprehensive and architecturally high-level urban space. 20 years have passed since the confirmation of the zoning plan that underlies the development of the area. Urbanist Mattias Malk examines what lessons could be drawn from the formation of this emblematic and groundbreaking space.
A sense of mission is what drives the centenary Estonian Association of Architects to act as a replacement agent for the institution of the state architect that is currently missing in the Estonian architectural arena. Andro Mänd, Chairman of the Association, writes about what it takes to organise cross-disciplinary collaboration, an integral part of spatial design, based on the example of site selection for Paide State High School.
There is a lot of talk about Pollinator Highway but what exactly is it, where it is located and what is its purpose?
Living close to water is good for our health: it reduces the risk of premature death, obesity, and has a generally restorative effect on people’s mental and physical health. 1 In the city, water is often so near, yet so far. Did you know there are more canals in Birmingham than there are in Venice, but people have been separated from the water by bad urban space? Tallinn has a long coastline but there are very few places in the centre where you can access the sea at all.
Johan Tali is the winner of the 2021 Young Architect Award from the Estonian Association of Architects. He earned this distinction for his wide-ranging activities as an architect, curator, lecturer and populariser of architectural topics.
A building with a strong character is easy to hate. Or to love. Take, for example, Tallinn City Hall—few are indifferent to it. Many see the City Hall as an ingenious artificial landscape and urban stage, while others consider it a relict of the Soviet occupation that is unfit for a free Estonia, just like the Sakala Centre that was demolished in 2007. There are many other lesser or better known buildings from the Soviet period that are architecturally ambitious, but unacceptable to many for aesthetic or ideological reasons.
In the last five years, one hot topic for experts in the field of green transition, which has been cropping up at international conferences as well as on the desks of pertinent officials, is the handling of spatial heritage.
Türi Middle School is a well-executed example of a contemporary school—breaking preconceptions about the organisation of space, encouraging new practices that involve alterations by the users, and offering spatial solutions for socialising as well as withdrawing.
We have gained an unprecedented amount of trust from our employers. Work has suddenly become dispersed, taking place asynchronously at different locations and different times. One gets a sense now of deeper reflection on how companies should organise their work and inspire their workers. This has led to a shift in understanding—what takes place within the environment has begun to affect the environment itself and its fundamental idea, which in turn guides the aesthetic decisions on space.
After the slow-burning and partly contestable success stories of Rotermann Quarter and Telliskivi Creative City, the eyes of Tallinners interested in urban design or just longing for a better urban space turned to Noblessner—the privately developed waterfront set to become one of the first chapters on the road to open the coastal areas of Tallinn to its citizens. Though far from complete, the lively quarter already offers a chance for a status report and an insight into the entrenchment of certain spatio-social tendencies in the Estonian real estate landscape.
