These days, to be is to be connected. Electricity, heat, road and street networks, internet connections, and water supply—it is as if all these intersecting and sometimes overlapping networks have become basic human rights. If these networks function well, our dependence on them goes unnoticed—we rarely take a moment to acknowledge the energy that travels across the sky, through underground and underwater pipelines, through wall cables, into millions of devices. On the other hand, when something disrupts the functioning of these networks, be it military aggression by a tyrannical neighbour, a sharp rise in prices, or catastrophic weather events, the political, economic, ethical, and often also spatial dimensions of these structures suddenly become apparent.
Elo Kiivet revisits Tulbi-Veeriku quarter in Tartu where the friction between these two dimensions has given rise to one of the most praised new neighbourhoods of early noughties in Estonia.
In Vilnius, a group of friends came together to acquire the top floor of a Soviet-era factory building. They later cooperatively developed it into their homes. Laura Linsi talks to Mantas Peteraitis about how the project came to be.
Community-led housing development is leading the way from speculati ve to non-profit housing construction models. Eneli Kleemann and Helena Rummo discuss the spatial possibilities that come with it.
Improving the architectural quality of the existing housing stock requires integrating engineering solutions with architectural decisions. In the ongoing renovation marathon, it is important to discuss what kind of added value could be drawn from the existing to unleash the full spatial potential of renovation and to create good user-friendly spaces, writes Diana Drobot.
So far, residential renovation has mainly targeted single buildings, but the idea of area-based renovation is becoming increasingly widespread.
Arhitektuuri ja ruumiloomepraktika feministlik teooria saab toetada hädavajalikku pööret, et murda lahti ülalt alla suunatud masselamute mudelist, mis taastoodab turustatud korteriplaane. Tänapäeval on (Taani) tüüpiline koduinterjöör nii jäik, et seal saab õigupoolest ainult ühel kindlal viisil elada. See osutub aga probleemiks mitmekesises ühiskonnas, mis hõlmab erinevaid kultuure ja elustiile, ning võib halvata elanike identiteedi- ja kuuluvusvajaduse. Taani arhitekt Mette Johanne Hübschmann analüüsib läbi näidete tuumperele suunatud korteriplaani mõjulepääsemist ning tänapäevaseid katsetusi suurema paindlikkuse suunas.
When it comes to housing policy, we talk about something very dear to all of us—our homes. Now is a good time to review what we have already accomplished, and to detect the main shortcomings and obstacles but also the missed opportunities in developing the housing sector. The topic is discussed by the Head of Housing Policy of the Ministry of Climate Veronika Valk-Siska.
Why not set a higher value on dispersal? Instead of living in just one place, and trying in vain to gather yourself together there, why not have five or six rooms dotted about Paris?
Most people are more or less consciously preparing for old age, the most ordinary and nationally approved preparation consisting in accumulating money into pension funds. Are we opening Pandora’s box when we ask how and if these most common investment funds affect environmental and social developments now and in the near future?
The expiration of a building’s service life does not mean the building has exhausted itself, say Simo Ilomets and Anni Martin. They see the renovation of Estonia’s ageing housing stock and the reuse of building material as a technical as well as a creative challenge where architects’ involvement is essential.
For many years, a dumb witness to the rich history and architecture of Narva on the wasteland bordered with Soviet brick apartment buildings, the Town Hall of Narva is about to be revived, Madis Tuuder accounts.
Editors' choice
What kind of relationship between a space and its surroundings would help to avoid the objectification of space—i.e., treating buildings or areas as sculptures or fully controllable objects?
Paide State Secondary School is an excellent example of the mutually complementary dialogue between a historical space and contemporary architecture.
Little was built following the re-establishment of Estonian independence in the early 1990s, however, the debates held and practices established largely came to set the foundations for the dominant issues in the architectural field in the past decades.
What kind of relationship between a space and its surroundings would help to avoid the objectification of space—i.e., treating buildings or areas as sculptures or fully controllable objects?
Most read
A building with a strong character is easy to hate. Or to love. Take, for example, Tallinn City Hall—few are indifferent to it. Many see the City Hall as an ingenious artificial landscape and urban stage, while others consider it a relict of the Soviet occupation that is unfit for a free Estonia, just like the Sakala Centre that was demolished in 2007. There are many other lesser or better known buildings from the Soviet period that are architecturally ambitious, but unacceptable to many for aesthetic or ideological reasons.
The minimalist grandeur and archetypal imagery of the memorial engage the viewer up to a point of awe.
I have failed to notice, in all those nostalgic reminiscences about the old Baltic Station market, has anyone shown any interest in whether the sellers themselves actually enjoyed spending time in this environment?
Teist põlve arhitekt Ralf väidab, et tal ei ole eriala suhtes illusioone; seda muljetavaldavama järjekindlusega seisab ta projekteerimisprotsessis arhitektuurse tuumidee säilimise eest. Arhitektiks olemine defineerib Ralfi kogu tegevust ja maailmavaadet töötegemisest reisimiseni – võib-olla ainult muusikal õnnestub hetkiti samavõrdse tähelepanu eest võistelda. Küsis Ingrid Ruudi.
Several competition entries captured quintessential characteristics of Tartu. How to plan future competitions so that these characteristics could be more systemically written into competition briefs and implemented in 21st century projects?
After the slow-burning and partly contestable success stories of Rotermann Quarter and Telliskivi Creative City, the eyes of Tallinners interested in urban design or just longing for a better urban space turned to Noblessner—the privately developed waterfront set to become one of the first chapters on the road to open the coastal areas of Tallinn to its citizens. Though far from complete, the lively quarter already offers a chance for a status report and an insight into the entrenchment of certain spatio-social tendencies in the Estonian real estate landscape.
A Discrete Paradigm for Design and Production.
I sat down with Judith Lösing, Julian Lewis and Dann Jessen, the three directors of East Architecture Landscape Urban Design Ltd., the architecture office I work with in London. As an office it is not uncommon for us to exchange ideas and discuss matters that might not have a direct connection to a project but that are a part of a wider architectural discussion. For this issue, I invited the three directors to discuss the way East’s practice that spans around 20 years relates to the theme of authorship in architecture and how practicing more or less exclusively in London shapes that relationship.
Paide State Secondary School is an excellent example of the mutually complementary dialogue between a historical space and contemporary architecture.
A building with a strong character is easy to hate. Or to love. Take, for example, Tallinn City Hall—few are indifferent to it. Many see the City Hall as an ingenious artificial landscape and urban stage, while others consider it a relict of the Soviet occupation that is unfit for a free Estonia, just like the Sakala Centre that was demolished in 2007. There are many other lesser or better known buildings from the Soviet period that are architecturally ambitious, but unacceptable to many for aesthetic or ideological reasons.
