kaire 
What is the image conjured up by the phrase ‘the industrial heritage of Tallinn’? Is it the Creative Hub (Kultuurikatel), Rotermann Quarter or perhaps Noblessner Foundry (Valukoda)? Henry Kuningas resorts to outstanding examples to describe the main features implemented in the reconstruction of the industrial heritage in the past two decades.
Replies by Ott Kadarik (Kadarik Tüür Architects, author of Kalaranna 8 buildings) and urbanism-related Facebook group ‘Mitte_tallinn’
Thinking through stone opens up a fresh perspective on construction culture (and the lack thereof), availability of local building materials and their untapped (economic) potential, and, ultimately, on building truly long-lasting buildings.
The genesis of Kalarand is a search for novel urban ideals. Amidst arduous planning and controversy, a number of urban activists matured and professionalised. In a prototyping-like process, several expectations we consider fundamental today on the subject matter of public space and spatial justice were made visible, and solidified. Johanna Holvandus writes on the changes in urban activism and urban processes.
The Kalaranna development in progress was preceded by a controversial, landmark planning process lasting from 2008–2016, during which the Telliskivi Society and a large variety of urban activists stood for the spatial qualities and interests of the seaside promenade and the popular ad hoc sea-bathing spot. The urban space and architecture that took shape as a result is reviewed by the capital’s city architect of the time, Endrik Mänd, who was directly involved in the processes.
North-Tallinn development areas. The size of the population will estimably grow by 44,000 people, that is, up to 100,000 residents.
The Rotermann Quarter was the first ambitious attempt in independent Estonia to create a comprehensive and architecturally high-level urban space. 20 years have passed since the confirmation of the zoning plan that underlies the development of the area. Urbanist Mattias Malk examines what lessons could be drawn from the formation of this emblematic and groundbreaking space.
A sense of mission is what drives the centenary Estonian Association of Architects to act as a replacement agent for the institution of the state architect that is currently missing in the Estonian architectural arena. Andro Mänd, Chairman of the Association, writes about what it takes to organise cross-disciplinary collaboration, an integral part of spatial design, based on the example of site selection for Paide State High School.
