We are discussing landscape architecture with Helēna Gūtmane, Mark Geldof and Ilze Rukšāne online although I initially planned to go there and visit their works together with the authors. In addition to Helēna, Ilze and Mark, also the senior landscape architects Indra Ozoliņa, Mētra Augškāpa and landscape architect Sendija Adītāja joined our discussion around the table (and behind the screen).
People-first is a model for cities in the global age where local governance takes an active role to guarantee equal opportunities and people gain the agency to codesign the use of cities and infrastructures. It is the result of a collaborative process of Demos Helsinki and four of the largest cities in Finland: Espoo, Helsinki, Tampere, and Vantaa.
Rather than exhibiting objects and asking questions, the contemporary museum has become a place for experiences requiring submission to the logic of storytelling. Triin Ojari considers how the reconstructed Narva Castle relates to history and providing experiences.
Several public buildings that form functional miniature ecologies, impacting our human qualities and sense of proportion through their scale, have been erected in Purtse and Palamuse.
There is no way to describe the current state of Latvian architecture without at least mentioning the so-called “large cultural buildings”. During the last decade, these have been the words constantly repeated by ministers, city mayors, directors of cultural institutions, and the media.
In addition to bringing together various public functions, the former Kulla confirmation house reconstructed as a library and rural municipality office also functions as a gate to the local community.
Careful homework on selecting the location for Suure-Jaani health centre, the wise decisions made by the local government as well as drawing together a number of public functions have provided the means for the emergence of very good architecture and the future town centre of Suure-Jaani.
Photo essay.
Balta is a hybrid of a silk screen printshop and a bar for close friends. Its spatial use and construction logic is closely tied to its founders and changing needs: it is a place whose structure is a co-creation of the entire community. To best describe the project architecturally, it is reasonable to regard the establishment as a flow; an accumulation and recycling of materials. Such a dispersion of authorship and, above all, a material-based point of view is rather a matter of spatial aesthetics, one that provides a visible, perceptible experience of sensuosness and physicality. How is a community bound to its space?
On tavapärane, et kui eemaldutakse inkubaatorilaadsete tüüpprojektide ehituse ideest, säilib eramu projekteerimisel autori omapära. See, et 1965. aastal kehtinud riigikorra nüansid ei arvestanud individuaalelamute projekteerimisel autorlusega, oli üks põhjustest, miks levisid tüüperamud ja looming oli varjus.
