RUUMILOOME
Any kind of construction must be stopped. Based on her Master’s thesis ‘30 Years of Pause. Research about doing not’ that she defended at the Eesti Kunstiakadeemia / Estonian Academy of Arts in 2021, Ulla Alla asks, "Is it enough already?"
The genesis of Kalarand is a search for novel urban ideals. Amidst arduous planning and controversy, a number of urban activists matured and professionalised. In a prototyping-like process, several expectations we consider fundamental today on the subject matter of public space and spatial justice were made visible, and solidified. Johanna Holvandus writes on the changes in urban activism and urban processes.
In the search for architectural strategies in times of a worsening climate crisis and diminishing resources, vernacular architecture has moved into spotlight. This is mostly due to its ability to passively respond to the local climate and make use of the ‘as found’—not only in terms of natural resources and building materials, but also in terms of available craftsmanship and local communities’ skillsets. Valuable knowledge of vernacular architecture, a pragmatic yet poetic, and in fact a scalable concept, is mostly passed on through buildings themselves as epistemic artefacts.
As a country that has experienced Europe’s biggest increase in real estate prices, we will soon face the question: how to avoid reaching the top in segregation and spatial inequality too? Hannes Aava explores.
Laura Linsi writes about the architect and educator behind ‘A Moratorium on New Construction’—the initiative that argues in favour of reviewing what in space production is desirable and what has ceased to be so.
The bank building standing on an old industrial frame on Narva Road proves its ability to also serve as a public library. The obligation to survive various eras and situations is common to both buildings and people, Madli Kaljuste ponders.
How about we agree that from here on out, we will be implementing only good spatial solutions? Okay?
In order to compensate for the bureaucratic inflexibility and sluggishness that is burgeoning in spatial design, a new methodology has evolved that enables to operate in a more democratic, playful, experimental and cost-effective way.
Contradictions of spatial planning are caused by the time required to process comprehensive and detailed plans as well as (spatial) gap between the two. How to better make sense of planning processes and to alleviate rigidity of the aforementioned?
If there is any feeling of blandness, or risk aversion, or scant sense of place, it is not due to insufficient bike lanes or pedestrian squares, but rather because the larger questions of what is produced and who gets to have how much have already been decided.
