kaire 
The following text is an attempt to conceptualize the architecture of the new Estonian National Museum building as a process. The focus of the article lies not so much on what the museum’s architecture is as on what it does. The individual user’s experience is not in the spotlight, but rather Estonian history. So, let’s ask ourselves, what does the museum’s architecture do with Estonian history?
Tänasel kujul on Kultuurikatel aga otsekui pommitabamuse saanud. Protsessi käigus on sealt minema pühitud nii ideed kui ka autorid ja valminud hoonest on kärbitud viimanegi avalikku kasutust toetav arhitektuurne struktuurielement. Kultuurikatlast on saanud keerulise logistika ja põhjendamatu ruumiprogrammiga elitaarne A klassi rendipind, mille on kinni maksnud Euroopa ja Tallinna inimesed.
European Union assistance has had a very strong influence on the appearance of Estonian towns, villages and landscapes in the last decade. Much has been done, but the real question is what has been done, and how. At the start of the previous European assistance period, local governments were encouraged to be active in asking for support. Something akin to a mentality became widespread: if money is being handed out, it has to be accepted and spent.
The city dwellers have a smaller ecological footprint, yet as the cities grow, we must also preserve and maintain biological diversity in urban areas, which, among other things, also helps to ensure the high living standard for its residents.
Siiri Vallner is an industrious architect, who is sensitive and attentive towards the environment, while at the same time, her projects are rational and conceptual. Interviewed by Jarmo Kauge.
