kaire, Author at MAJA - Page 31 of 33

The hidden messages of Annelinn

One thing that is shattering Annelinn’s negative image is the “switching on” of spaces that to date have gone without a programme. A good example is the square in front of the garage complex on Anne Street, which flirts with its old image but also with new values, acting like a buffer between different ways of thinking. It is not clearly defined what kind of activities or target audience the stops and rest spots should accommodate – there is a certain flexibility, various methods of use and room for interpretation

The Sea Subjected to Infrastructure: Asphalt vs Vision

In 2007, the city council again approved the concept “Opening Tallinn to the Sea” with one of its aims including a populated urban space. The simultaneous activities – seaside arterial roads and the wire fences obstructing the sea views and the use of the coast, however, were entirely contrary

Data-Driven City

This article was born out of concern for the future of our cities, especially Tallinn. It appears to me, as an outside observer, that many large-scale projects in the capital are carried out without any consideration for an overall strategic vision for the city. Although some of the blame can also be placed on the lack of a strong and clear strategic vision for Tallinn, of late, notable progress has recently been made to remedy this situation.

Summer/autumn 2018 (94): Essence and Experience of Architecture

EXPERIENCE OF ARCHITECTUREHumbly Majestic. Arvo Pärt Centre 〉 Triin OjariThe Super Transformer. Elering 〉 Karli LuikA Monumental Enigma. The Narva College of Tartu University 〉 Carl-Dag LigeContinuous Strangeness 〉 Merilin Kaup, Mariann Tihane, Liina SoosaarVana-Vastseliina Pilgrim’s House 〉 Karen JagodinArchitecture That Invites You to Move 〉 Terje Ong, Risto KozerWasteland 〉 Paco UlmanWeak Monument –

The Super Transformer

Elering’s new office building is technically a reconstruction, an extension. Although everything is new, the small remaining part of the former structural frame came to define the building’s location as well as its overall height and width. It is actually the old building extended by three times, a simple rectangle with two particular islands in the middle of the office spaces located along the perimeter. The former atrium has become a secluded inner courtyard balanced by the second enclosed and highly secured control centre in the middle part of the extension.

Veronika Valk-Siska. Enambling Playful Architecture(s)

For Veronika Valk-Siska, architecture neither begins nor ends with a design or a building. Her career in architecture until now can be read as a reflection of an increasingly expansive understanding of what architecture could be.

Jaak-Adam Looveer to Lead the Spatial Design Expert Group

The decisions regarding built environment and living environment have a highly extensive and long-term effect and they are often accompanied also by considerable expenses. Therefore, it is important to increase assurance that the choices made are at a high level and in keeping with the long-term goals.

Not to Make a Concrete Ruler

Material use which takes advantage of its specific properties lessens the chance of later unwanted changes in the original architectural design and guides the user experience. What stops architecture from taking the helm in material innovation?

As You Call the Forest, So the Forest Calls You Back

As part of her research for PhD thesis, Marianne Jõgi designs and builds objects which on the surface appear as installation art, yet on a deeper level raise meaningful questions about architecture.

How to Reach Novelty? Discussion with Rachel Armstrong, Manja van de Worp and Jelle Feringa

There is an ongoing discussion how to reach novelty in architecture with computation-driven tools, combining material knowledge with fabrication possibilities. In an attempt to seek for the new spatial qualities emerging and deepening the collaboration between the stakeholders of construction, we discuss it with experimental architect Rachel Armstrong, fiery engineer Manja van de Worp and innovating fabricator Jelle Feringa.

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