Biodiversity at stake
The ELME project of the Environment Agency deals with mapping of ecosystem services and develops innovative methods for collecting and displaying information about biodiversity.
The ELME project of the Environment Agency deals with mapping of ecosystem services and develops innovative methods for collecting and displaying information about biodiversity.
‘We had completed our design submission for an architectural design competition. The detailed plan determined the building’s shape, roof pitch, roof height, eave height, the choice of building materials, entrance to the lot, the parking space of its residents and the client also provided us with a specific layout for rooms. We thought we had quite a decent building. Then an architecture student appeared and asked: ‘Well, what is the concept of this building…?’’
Developing community gardening helps to improve the ecological, social and financial situation of the urban environment. Estonia still has the tenacity and skills to grow food under power lines and in other urban wastelands, so let’s treasure these skills and people who have the know-how to use them in public space!
In recent years, environmentally sensitive apartment buildings have been constructed in Tartu city centre that timidly yet vigorously test the boundaries of the current way of life.
Every act of redesign, renaming or shift, especially in downtown, always bears reference to choices and decisions with a broader ideological background.
Connection, attachment, homeliness—all of it belongs to being human and takes root even in those who do not dwell in an idyllic and exuberantly harmonic Arcadian pastoral.
Love is emanating from this building. The new building of the art academy on the edge of Kalamaja in Tallinn has architecture which is carefully thought through and gives a positive boost to the future of Estonia’s principal institution providing higher art education.
MAJA kevadnumber on trükist saabunud ja müügil üle Eesti. Tellimine: info at ajakirimaja.ee
The architecture offices born at the time of economic downturn are inevitably much less inclined to undertake bold experiments than the ones whose beginnings are rooted in more auspicious times. Instead, what becomes crucial then is an ability to make the most out of the limited resources in a nuance-sensitive way. Thus, KUU architects are, in a sense, minimalists, yet they do not seek minimal form, but look for opportunities to efficiently utilise the existing contexts in order to create spaces that empower its users.
A guide’s narrative is led by a visible and palpable environment, often causing the interest of a tourist to pique on a detail that addresses humanity as a whole.